Texan Alice Fakier came in second place during Design Star’s inaugural season.
While you were doing that first season of Design Star, your dad was dealing with cancer. How is he doing now?
He’s fantastic! He is in remission and gets checked out every few months, but he’s healthy, he’s safe, and he’s doing wonderful, thank God.
You recently went on The Nate Berkus Show and demonstrated how anyone could create an abstract painting with some paint and a spray bottle of water. I thought that was so brilliant, but then Nate kind of effed his up!
A little bit! I was like, c’mon Nate, I know your shoes are really cute and all, but get a little dirty!
It was kind of hysterical. It was like in that five seconds you could see his whole personality. He does not like to make mistakes, he just wanted it off the stage!
Yeah, it was hilarious. I was like, Nate, you’re creative, get your hands dirty! He was so much fun to work with and I adore Nate.
You were quite the prolific painter, creating original art for every episode of Color Splash. My favorite was the big bowl of macaroni and cheese—I would just love for that to come back and make an appearance!
That would be fabulous. I think that was one of my old producers’ cousins or something, so that’s a good possibility.
This is just my bizarre curiosity, but why the hell were you EVER driving a minivan on Color Splash in San Francisco? In terms of branding, I always thought, that is so not you!
Because that’s what the production company offered me. It makes perfect sense. They were very bare bones there and we needed a vehicle that wasn’t a monstrosity and had good gas mileage, because I paid for my gas. It could haul furniture, beds, lots and lots and lots of things. When I drove myself up to the house, I had a producer, a camera guy, a sound guy. All of these things were taken into consideration when they purchased this lovely minivan! I wasn’t thrilled with it but let me just tell you, it drove like a car, so although it wasn’t nice to be found in it, it was actually nice to drive.
*The following content originally appeared on Williams-Sonoma Designer Marketplace.*
HGTV really knocked it out of the park when they selected David Bromstad as their first Design Star. Six years later, he’s juggling multiple shows on the network, doing appearances all over the country, and branching out into product lines.
Is it weird that your old Design Star judges are now your peers?
It’s very strange! It’s 100% full circle, but it’s also very strange because I watched Vern (Yip) and Genevieve (Gorder) on Trading Spaces and of course Vern was our head judge from my season of Design Star, so being in his presence is kind of fantastic. He is just a lovely man, always gives me the most confidence and complements. It’s pretty surreal!
I’m anxious to see the premier of the next season of Design Star May 29th. Can you tell us anything about it?
You know, I have to say, and I’m not just saying this because I’m now the host and mentor, but it is by far the strongest group of designers that we’ve ever had on Design Star. As a whole, as a group, they really pulled out beautiful designs and I’m really proud of every single one of them. It’s pretty darn good. I didn’t get to see much behind the scenes, so I can’t say if there’s tons of drama—there’s probably a little bit here and there. As far as what I saw, beyond fabulous! I think the audience is going to be really impressed.
What about your new show, White Room Challenge?
The White Room Challenge is amazing! I’m the host, mentor and the head judge as well. It’s so much fun! It’s taking the most popular challenge in Design Star history—the white box challenge—and turning it into its own series. Like Chopped or Cupcake Wars, you have four contestants on every episode. They have a funky place to shop at and they actually turn out fabulous rooms! These rooms are really great, I think they’re actually stronger than what you see on Design Star, simply due to the fact that they have a carpenter to help them make sure that the designs are executed brilliantly.
We all know that what you see through the camera lens and what you see in reality are two different things. Since Color Splash is so color-focused, how do you adjust what you’re doing to compensate for those effects so that what you see on TV looks great?
You have to make sure that there’s a decent amount of contrast, whether that’s through paint color or texture. You don’t want it to be too high contrast either. I did a black and white bedroom, with black walls and white curtains and that was hard for the camera guys to shoot because there’s so much darkness and then you have really crisp white against it. You have to balance it out a little bit and bring in some things that make it more of a backdrop. I don’t know how I do it—it’s one of those things where I learned it so quickly when I was on Design Star because the judges didn’t walk through the rooms the first few seasons, they just saw videos of our work on television. We saw the videos when the judges did, so it was kind of like, oh my goodness, look how that registers. Look at that space—even though it’s only three feet, which is standard, it looks like it’s really empty. You have to massage the spaceplan a little bit, make sure the colors are registering beautifully. It takes practice but it’s something that comes innately for me.
Do you ever watch design shows for inspiration or does your schedule prevent that?
I don’t have much time to watch TV. When I do, I don’t usually watch design shows, solely for the fact that they’re my sort of work. Since I do work so much, I need to decompress. I was just watching The Natural! I like sci-fi, fantasy, reality shows. I love reality competition shows, but when you put design into it, all I can think about is work. I try to escape it as much as possible even though I do love my job. My job is pretty much my life right now!
Do you ever have to talk scaredy-cat clients off the ledge or do they tend to trust you more because of your TV work?
They tend to trust me. I have a very large portfolio on television and they hire me because they’ve seen my work on TV. They usually just throw up their hands and say, “You know best!” And I’m like, “You’re right, I do!” That’s always a much better way to get a more creative space, when you let the designer or artist kind of do their own thing. When you have a client who’s constantly throwing out comments like what about this color, or I think we should change that, it’s kind of like, well if you knew what you were doing, why did you hire me? Luckily all of my clients have been very cool.
Jay Leno once said that if you can last seven years in show business, you’ll be in it for life. Now that you’ve passed that milestone, do you think that’s true?
Seven years, really? Fabulous! I love me some Jay Leno then! I’m bit by the TV bug. It’s really so much work—more work than any other job I’ve ever done in my life—but it’s so much fun and it’s different every time. We’re always in a different city with different clients and it’s a really unique life. I can see myself doing this for a while longer, fo sho!